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An avant-garde 3D cityscape built from typographic structures, where skyscrapers are composed of stacked, extruded glyphs in varying heights and weights, all rendered in muted slate blues and soft graphite. The streets are suggested by negative space between the forms, with a glassy surface reflecting the towering letterforms. A cool, overcast sky provides even, diffused illumination, while selective patches of subtle neon cyan light accent key buildings, hinting at digital interfaces. Photographic realism, depicted from a high, three-quarter aerial perspective, with atmospheric depth softening distant elements. The mood is contemplative and futuristic, showcasing the artist’s ability to translate letterforms into complex, elegant spatial compositions.

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A concise introduction to recent projects highlighting spatial design and typographic experiments across digital and physical media

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123 Studio Lane, Oslo, Norway

Hours

Mon-Fri: 10am–6pm

Phone

(123) 456-7890

A meticulously designed 3D reading nook carved into a thick, curved wall, its interior lined with soft, sand-colored fabric panels featuring embossed typographic patterns in varying scales. A cantilevered matte black shelf forms the seat, while a single ultra-thin brass floor lamp arcs over the opening, its warm light grazing the textured letters and creating subtle low-relief shadows. The surrounding wall is a smooth, pale concrete, uninterrupted and monolithic. Photographic realism, captured at eye level with a slight side angle and balanced composition. The atmosphere is serene and contemplative, blending spatial design and typography into an intimate, sculptural environment indicative of sophisticated artistic practice.

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Behance
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Explore process work, early studies, and evolving typography across immersive spaces through concrete case studies and collaborations

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